Past lives is overrated?

At its core, "Past Lives" feels like an ambitious artistic take that tries to grapple with heartfelt questions about human identity, cultural deracination, the contingent nature of existence, and life's ability to diverge across myriad possibilities with each choice made. Director Celine Song sets out to examine these profound philosophical issues through the intimate lens of Nora's journey of self-reflection and rediscovery.

The film fo shizzle succeeds the most in its technical, and visual level. Celine Song showcases her prowess of the cinematic art medium. She meticulously crafts every frame with sheer attention to artistic detail. 

For most its runtime, the film has flawless cinematography and lighting, enhancing the mood and perplexed theme, at the same time the fluid transitions immerse you fully in Nora's fragmented psychological landscapes spanning multiple timeframes and places. Lavish location shots immerse us in the vivid settings that have defined Nora's immigrant experience across cultures.

However, the film's most critical flaw is its underdeveloped characters who at times feel more like ideas than a flesh-and-blood human. Greta Lee's strong performance doesn't lack competence but fails to fuel sufficient raw vulnerability to the role of Nora. 

We are kept at an emotional distance from fully understanding her fragmented sense of self and longing for closure in the past. More could have been done to unpack Nora's psychological interiority through emotionally resonant scene work.


To make things more contingent, the childhood romance premise honestly doesn't help. The trope at times will feel cliché, and over-romanticized, lacking the subtle convolutions to drive the intended emotional weight. More was needed to believably establish this plot with thematic connections enduring psychological impacts, rather than presenting it as a poeticized notion. Both shortcomings deterred me connecting with Nora and her coming of age psychological awakening.

Past Lives meme

While the deliberately slow-paced tale can aggrandize self-reflection, “Past Lives” eventually risks it all losing engagement through otiose moments. More coherent editing could've helped to maintaining the urgency and focus the tale required, allowing viewers to fully engage with Nora's story.

Despite flaws, Song’s visionary artistry and exploration of cultural displacement as the daughter of immigrants give the film a lingering impact. It succeeds in posing profound existential questions about fate, and free will, and reconciling past and present layers of ourselves with each new chapter of life. While an imperfect work, “Past Lives” invites viewers on a thoughtful cinematic journey of reflection through its visual splendor and contemplation of life’s fragility and contingency.

★★★½ (3.5/5)


Shoaib Rahman


 Editor-in-Chief